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Flou

作為意大利高端臥室家具品牌,Flou 致力于推動全球臥室家居智慧,也是世界上第一個真正意義上推出“睡眠文化”的創新品牌。

1978年 Rosario Messina 先生創立品牌至今,Flou 始終堅持將美學與實用相結合,致力于打造床品、衣柜、沙發等臥室家居系列,以高度凝結的藝術感提升臥室生活的舒適度和幸福感,匠心詮釋現代意式“完美生活”。

只有真正的睡眠大師,才能完美照顧到每一個人的需求。Flou 考慮到不同年齡,不同類型的人的需求,給予多樣的選擇。

持續的美學以及功能研發,一貫的堅持與創新使得 Flou 聞名于歐洲乃至世界,成為全球四大臥室家居品牌之一。Flou 與意大利優秀設計師的多元合作,打造出現代居室的生活方式,受到設計界的青睞與認可。


設計師
The designer
Enzo Mari

Enzo Mari was born in Novara, Northern Italy in 1932. His work branches in various directions with the common reference denominator being the reflection on the meanings of shapes and design. This activity, which began with research into visual perception was subsequently oriented to children's games, graphic art, design and architecture. He was lectured on a number of courses including "Study Center for Visual Communication" with the University of Parma, the Academy of Fine Art in Carrara, the Faculty of Architecture with the Milan Plytech and ISIA in Florence. More recently, he has lectured at "Hochschüle der Kunste" in Berlin and at "Hochschüle fur Angewandte Kunst" in Vienna. In 2002, the Faculty of Architecture of the Milan Polytech awarded him a Honorary Degree in Industrial Design. He is a member of the "Study Center and Archives of Communication" in Parma. The archives contain approximately nine thousand original designs. His work has been exhibited in numerous museums including the Venice Biennal, the Milan Triennal, the "Schloss Charlottenburg" in Berlin, the "Galleria Santa Monica" in Barcelona and the Gallery of Modern Art in San Marino. Exemple of his works of art and design are part of collection in various museums such as "CSAC" in Parma, the National Gallery of Modern Art in Rome, MoMA in New York and the Milan Triennal. He has been awarded numerous prizes for his research projects including four "Compasso d'Oro" awards. In 2001, Bollati Boringhieri published the book "Design and Passion". Among the more recent books dedicated to his work: "Why write a book about Enzo Mari?" by F. Burkhardt and F. Picchi, Pub. Motta; "Enzo Mari - the work at the Centre" by A. d'Avossa and F.Picchi, Pub. Electa; "Enzo Mari: between Art of Design and Applied Art", supervised by the International Ceramic Museum in Faenza.


Matteo Nunziati

Matteo Nunziati opened his studio in Milan in 2000. Studio Nunziati is specialized in interior architecture and design and collaborates with many important companies in the design fields of furniture, illumination and accessories.
Matteo Nunziati has won a number of prestigious awards including the recent Good Design Award 2011 Chicago USA, Wallpaper Design Award 2011 UK Regno Unito???, Cityscape Award 2013 Saudi Arabia.
The studio is specialized in the design of luxury, wellness centers, SPAs and residential properties.
This genial architect has completed projects (with many others work-in-progress) in Italy, Switzerland, Poland, United Arab Emirates, Qatar, Saudi Arabia, Kuwait, The Maldives, China.
He has also planned exhibitions, events and tradeshow layouts.
Since 2004 to the present day, he has lectured in a number of Institutes and Design Schools; he directed the short ‘Hotel Design’ course with Domus Academy; he is the Project Leader, again with the Domus Academy, of the Master in Interior Design (in 2005 and 2006); he works with the Department of Industrial Design/Graduate Institute of Innovation and Design, National Taipei University of Technology in Taipei, Taiwan.
In 2005, he worked at the Art School – Milan’s IDI Interior Design Institute.
In 2006, he took part in the exhibition “50+2y Italian design” in the National Art Museum of China in Beijing, selected as one of the most representative architects of international design between 1954 and 2006.
Also in 2006, he traveled to Shenzen in China to take part in the event “Brand and Designers China Initiative 2006”, a series of conferences organized in the Shenzen Sphinx Culture and Communication, China Council for the Promotion of International Trade Shenzen Sub-council (CCPIT) and the Shenzen Media Group.
From 2007, he has organized events as part of the trade shows “Abitare il Tempo” in Verona (Italy), “Mipim” Cannes (France), “Cityscape” (Dubai), “The Milan International Furniture Salon’ (Italy).
Since 2007, he has been lecturing on the course “Interior Design for Hotels” at the Domus Academy in Milan, in collaboration with the “University of the Arts London Central Saint Martins”.
In 2011, he presented “The way of work of an Italian leading design office” at the “Tshinghua University Shenzhen” in China in collaboration with the Domus Academy of Milan, Italy. 
In 2008, as a design expert, he was invited to take part in a series of international conferences in important events such as: “MIPIM” Cannes – France, “Eire” Milan-Italy, “European SPA Summit” Paris-France, “Sia Guest” Rimini-Italy.
From 2009 to the present day he has taken part in a number of high-end conferences organized by “Federlegno Arredo” in collaboration with ICE (Foreign Trade Institute) and with the Italian Government as a representative of Italian design across the world (Qatar, The Lebanon, Egypt, Kuwait, Saudi Arabia, Latvia, Estonia, Switzerland, etc.).
Images and descriptions of his projects have been published in many of the most important Italian and international design journals.


Vico Magistretti

Vico Magistretti’s work and research have influenced and marked the history of Italian design, of which he is an indisputable protagonist.
He was born on October 6th 1920 in Milan; he graduated in architecture in 1945 and then joined his father’s architecture studio. In 1948, he started taking part in the first editions of the Milan Triennial. In 1956, he was a founder member of ADI, the Association of Industrial Design. In 1967, he became a member of the prestigious St. Luke’s Academy in Rome.He won numerous prizes and commendations, including the Gold Medal at the IX Triennial (1951), the Grand Prix at the X Triennial (1954), two Compassi d'Oro (respectively in 1967 and 1979), the Gold Medal presented by S.I.A.D. Society of Industrial Artists & Designers (1986), the Compasso d'oro for his career (1995), two Gold and Silver Medals at the Wiener M?belsalons International (1970), the Golden chair at M?belmesse K?ln (1982), the Apostolo Gold Medal presented by Design Milano (1997).
He was tireless in his research into the culture of design and his innovative experimentation into materials and technology (plastic and its derivatives), spatial solutions (the subject of stackable and transportable articles) and innovative shapes and functions, distant from the restrictions of fashion that have greatly conditioned the last sixty years. His creations have been displayed in all the major design exhibitions in Italy, across Europe, USA and Japan and are included in the permanent collections of the world’s most important museums: twelve creations are included in the permanent collection of MOMA in New York. He was an honorary member at the London Royal College of Art in London, where he was also Honorary Visiting Professor and he was a member of the Royal Scottish Incorporation of Architects, he lectured at the Domus Academy in Milan and held conferences in Milan, Venice, Rome, London, Barcelona, Copenhagen, Aspen, Tokyo and Sao Paulo.
He has designed for the most important Italian and international brands and holds the record for the greatest number of beds designed for a single company: Flou.
"The most important pieces that I have designed, irrespective of their commercial success, are those that have made a contribution to the history of the companies I designed for. I am delighted that some items, such as the bed Nathalie, are still in production 20 or 30 years down the line".
We will use this quotation to terminate the brief history of the Great Maestro who died in Milan on September 19th 2006, at the age of 86 years.


Emanuela Garbin – Mario Dell’Orto

The studio OPERA was founded in 1990.
Mario Dell’Orto, Emanuela Garbin, Enrico Cattaneo, founded the studio in order to combine their different professional experiences, matured in the same operational environment. The common denominator was the language affinity, which established the objectives geared to provide answers to the complex problems of the sector in a complete and specialist manner.
The studio is active in a number of areas that range from the operations to identify the development strategies, to the study of communication, industrial design, the plans or restructuring projects for showrooms and sales points.
For the companies, the consulting can include specific requirements or art direction in the more general sense, where it is possible to identify an organizational and synergetic route that can permit the coincidence of the various initiatives to provide better identification of the specific brand on the market.
In the area of design, the Studio has designed and continues to design models of the various product types. Armchairs, settees, furniture, beds and furnishing accessories that carry the name OPERA DESIGN have been accepted by prestigious companies and are now part of their production. Several models have also won prizes during exhibitions and competitions in both Italy and abroad.
For exhibitions and showrooms, the studio is responsible for the design and the restructuring programs, identifying the intervention strategies and defining the image and the communication. The project continues through a program of maintenance or growth of the sales point through initiatives, promotions and events.
The Studio therefore develops a synergetic activity produced by the interconnection between the individual operative specializations, and has the possibility of tackling with a much broader outlook the problems facing this sector in the light of the enormous transformation and mutation


Rodolfo Dordoni

Rodolfo Dordoni was born in Milan in 1954.
He graduated in architecture in 1979 and for the following ten years (until 1989) he was in charge of the art direction and the corporate image of Cappellini (his products include the system of storage containers 'Colombia', the chairs "Lipsia", the settee "Cuba").
He designs for a large number of furnishing companies such as Barovier & Toso, Moroso, Foscarini, Tisettanta, Artemide, Driade, Arteluce, Venini, Flos, Lema, Fontana Arte, Minotti, Molteni, Jab, Dornbracht, Sambonet, Rossana, Fiam.
Since 1995 he has designed a number of stores and showrooms for D&G / Dolce & Gabbana.


Carlo Colombo

He was born in 1967 in Carimate (Co) and graduated in architecture from the Milan Polytech in 1993. He then opened a professional studio that specializes in design.
Carlo Colombo has completed a number of restructuring programs for social buildings and private dwellings and has collaborated with a number of companies producing furnishings, illumination technology and accessories.
He has lectured in Industrial Packaging at the Faculty of Architecture, Milan Polytech where he is assistant lecturer in Furnishing department. He has held conferences in Industrial Design in Italy, Israel, Greece, Portugal, Solvenja, Ucraine, Australia and Great Britain.
His works have been displayed in museums of applied arts and galleries of contemporary art in Paris, Brema and Cologne.


Massimo Castagna

Massimo Castagna was born in 1957. He graduated from the Milan Polytechnic in 1984 and two years later, in 1986, he founded the design studio AD Architettura. The studio's professional activities include residential and commercial architecture, refurbishment and conservative restoration, interior and product design. He has worked with many of the leading interior design companies as art director, responsible for product philosophy and selection, design team management and corporate image. One of his most important projects was the design for the high-altitude research laboratory 'Piramide' for the Everest-K2-CNR Scientific Committee, installed at an altitude of 5050 meters in Nepal in 1991 and selected for the 18th Triennale in Milan. For the last ten years, he has lectured on subjects related to training furniture sales facilities on the Master course of Federmobile (the Italian Furniture Federation) at Polidesign of the Milan Polytechnic.


Bellini Mario

Mario Bellini (born in Milan in 1935) graduated in architecture in 1959 from the Milan Polytech. He was already famous for his activity as a designer which began in 1963 when he worked as a consultant in industrial design with Olivetti; he then continued to expand his client base with numerous Italian and international companies.
He has been awarded the Compasso d'Oro eight times and he has also received a countless number of prestigious international prizes such as the Gold Medal of the Chartered Society of Designers (GB) and the Honorary Title of Designer for Industry by the RSA (GB). Twenty-five of his creations are on display in the permanent exhibition of the Museum of Modern Art in New York; MoMa also dedicated a personal retrospective exhibition to him in 1987. His designs can also be found in the collections of the world's most important museums. Since the Eighties, he has been working with growing success in the field of architecture in Europe, Japan, USA, Australia and the United Arab Emirates. His architectural projects, which have been recognized with important prizes and awards, have been published in some of the world's most qualified journals and included in the most prestigious events of architecture and culture around the globe.
In December 2004, the President of the Italian Republic, Carlo Azeglio Ciampi, awarded him the Diploma di 1° Classe con Medaglia d’Oro per i Benemeriti della Scuola, della Cultura e dell’Arte, [First Class Diploma and Gold Medal for the well-deserving experts of Education, Culture and Art] in recognition of the importance of his designs on the international scenario.
He has lectured at the world's most important cultural sites. He was elected member of the Executive Committee of the XVII Triennial of Milan. Between 1986 and 1991 he was director of Domus, the prestigious international monthly journal of architecture, design and art.
The professional activity and the thought-train personal to Mario Bellini have been well-documented in the specialized literature; it includes two monographies, published by Electa and Skira in 1988 and 1996 respectively.


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